Workshop #1: Black Magic 4.6K

Black Magic Spec’s

  • 4.6K 25.34mm x 14.25 mm Super 35mm Sensor at 4608 x 2592
  • Resolutions: 4608 x 2592, 4096 x 2304 (4K 16:9), 4608 x 1920 (4K 2.4:1), 3840 x 2160 (Ultra HD), 3072 x 2560 (3K Anamorphic), 2048 x 1152 (2K 16:9), 1920 x 1080
  • 15 Stops Dynamic Range in Rolling Shutter Mode (A stop or two less in Global Shutter mode)
  • Switchable Between Rolling Shutter and Global Shutter
  • 4K RAW up to 60fps in Rolling, 4K RAW Up to 30 fps in Global
  • Windowed HD up to 160fps
  • ISO Performance should be better than 4K Camera (Settings we saw were 200-1600)
  • CinemaDNG Raw (Lossless or 3:1/4:1 Compressed), ProRes XQ to Proxy in 3840 x 2160 or 1920 x 1080
  • 5″ Flip Out 1920 x 1080 Touchscreen
  • Optional 1920 x 1080 OLED EVF ($1,500)
  • Comes with handle — Optional Shoulder Rig for $400 Gives ENG style operation
  • Dual CFast 2.0 slots
  • Dual XLR Input
  • 12V to 30V 4 pin XLR (same battery plates as URSA)
  • No Built-In ND Filters
  • Weighs Under 7 Pounds (Body only)
  • Sensor is not upgradeable like the big URSA
  • EF and PL Mount versions
  • Availability: Later in the Summer/Early Fall
  • Price: $3,000 with Original 4K Sensor, $5,000 for New 4.6K Sensor ($500 more for PL versions of both)

 

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